Silhouettes of bodies lie drawn on the streets of Bogotá in protest against the so-called ‘false positives’ scandal, in which security forces, in order to receive promotion or other benefits, lured vulnerable people to remote areas with the offer of work, killed them, and passed them off to authorities as guerrillas, to boost combat kill rates. According to a UN special rapporteur on extrajudicial executions, examples of such killings date back to the 1980s, although nearly 80 percent of them took place between 2000 and 2008. The Special Jurisdiction for Peace (JEP) records that 6,402 people were killed in this manner between 2002 and 2008 alone.
2022 Photo Contest, South America, Honorable Mention

A Portrait of Absence

Photographer

Viviana Peretti

25 June, 2021

Silhouettes of bodies lie drawn on the streets of Bogotá in protest against the so-called ‘false positives’ scandal, in which security forces, in order to receive promotion or other benefits, lured vulnerable people to remote areas with the offer of work, killed them, and passed them off to authorities as guerrillas, to boost combat kill rates. According to a UN special rapporteur on extrajudicial executions, examples of such killings date back to the 1980s, although nearly 80 percent of them took place between 2000 and 2008. The Special Jurisdiction for Peace (JEP) records that 6,402 people were killed in this manner between 2002 and 2008 alone.

Around 100,000 people have been forcibly disappeared in Colombia over the past 60 years, according to figures released by the Colombian Attorney-General. Most of them are still missing today. The perpetrators of these forced disappearances come from all armed agents involved in Colombia’s internal conflict. The spectrum of armed actors includes guerrillas of the Revolutionary Armed Forces of Colombia (FARC), the largest guerrilla group in the country until the signature of a peace agreement in 2016; state security forces; paramilitary groups; and illegal groups involved in illicit trade, along with other criminal groups, who use it as a method of silencing opposition. In most documented cases, it is not clear who the alleged perpetrator was, or why a person disappeared. According to the Colombian National Center for Historical Memory (CNMH), most of those forcibly disappeared during the years of internal conflict were civilians caught up in the fighting. Forced disappearance has also become a strategy of social control. Targets are frequently human rights defenders, relatives of victims, witnesses, social leaders, members of opposition political parties, protesters, and legal counsel dealing with cases of forced disappearances. Most of the disappeared are thought to end up in anonymous graves, but bodies have also been disposed of in rivers, or in the ovens of crematoria or sugar mills.

This nine-year project is a visual tribute to absence. It documents the lives of families hoping for their loved ones to return, and work carried out under ’Plan Cementerio’ – a national program to exhume and identify remains of the thousands of disappeared who remain in unregistered graves during the years of armed conflict, and to return their remains to their relatives. After years of photographing and investigating the crime of forced disappearance in Colombia, the photographer feels that Colombia’s post-conflict stage cannot prosper without uncovering what happened to the thousands of people that are still missing, and proving accountability. 

Viviana Peretti
About the photographer

Viviana Peretti is an Italian freelance photographer based in Bogotá, Colombia. In 2000, after graduating with a bachelor's in literature from the University of Rome, Peretti moved to Colombia where she completed a master's in journalism. In 2010, she graduated in documentary photography and photojournalism ...

Read the full biography

Jury comment

The jury honors this project and offers solidarity to the intent and mission of the photographer. The issue of forced disappearances is of global relevance, and by looking closely at intangible elements in Colombia, the project is able to form a record of evidence that depicts absence from personal and public angles. Through the recognition of this project, the jury hopes that new global networks can be forged between photojournalists who are working to portray the invisible elements of political disappearances around the world.