<p>Barnard College alumna Jesse Pearce is arrested outside Columbia University&rsquo;s commencement ceremony. Along with current students, alumni protested the institution&rsquo;s ongoing financial ties to Israel. New York City, New York, United States</p>
2026 Photo Contest - North and Central America - Singles

Columbia University Pro-Palestine Protests

Photographer

Alex Kent

The New York Times
21 May, 2025

Barnard College alumna Jesse Pearce is arrested outside Columbia University’s commencement ceremony. Along with current students, alumni protested the institution’s ongoing financial ties to Israel. New York City, New York, United States

Facing intense political pressure to limit pro-Palestine demonstrations, many US universities became focal points in a national conflict over free speech and institutional independence. At Columbia University, the Trump administration suspended $400 million in federal funding to force a crackdown on campus protests, causing severe administrative upheaval. The students were caught in this institutional crossfire, but many members of the graduating class of 2025 as well as alumni chose to exercise their first amendment rights in protests and demonstrations.


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Alex Kent
About the photographer

Alex Kent is a freelance photojournalist based in Washington, D.C., United States, whose visual storytelling blends documentary and classic photojournalism. Driven by a deep curiosity about justice, power, and policy, he follows critical issues shaping American society. Coming from a background in communications for...

Read the full biography
Technical information
Shutter Speed

1/320

Camera

EOS R5m2

Jury comment

This photograph captures the arrest of a demonstrator outside of Columbia University, in New York City,  highlighting the government crackdown on higher education and the suppression of student activism in support of Palestine. Through thoughtful composition the image conveys the immediate consequences on freedom of speech and the broader threats to the educational system. The jury recognized it as a powerful visual statement on the social and political pressures facing universities, contextualizing the impact on students, alumni, and academic freedom more broadly in the United States.