Tamer Hassan al-Shafei and his family break their Ramadan fast in the remains of their home in  Beit Lahia, Gaza Strip. Food shortages meant only basics were served instead of the usual spread.
2026 Photo Contest - West, Central, and South Asia - Stories

Witnessing Gaza

Photographer

Saher Alghorra

for The New York Times
04 March, 2025

Tamer Hassan al-Shafei and his family break their Ramadan fast in the remains of their home in  Beit Lahia, Gaza Strip. Food shortages meant only basics were served instead of the usual spread.

In 2025, civilians in Gaza endured starvation, famine, and relentless bombardment as the death toll surpassed 75,000 people and Israeli authorities severely restricted the flow of humanitarian aid. A fragile ceasefire went into effect in October, allowing some aid to enter Gaza, but Israeli airstrikes continued and the humanitarian situation remains critical. Palestinian journalists – living through the reality they document – are the world’s few witnesses to what an independent United Nations Human Rights Commission inquiry has concluded is a genocide. Israel disputes this. The photographer worked under immense danger, driven by a refusal to let the world turn away. “Even when everything around me told me to stop, I couldn't – silence would mean surrender.”

Saher Alghorra
About the photographer

Saher Alghorra is a Palestinian photojournalist documenting life and conflict in Gaza. He studied public relations, media and photography at the University of Palestine and began photographing in 2017 after receiving his first camera from his father. Initially, his work focused on everyday life in Gaza City. As t...

Read the full biography
Technical information
Shutter Speed

1/80

Camera

EOS R6m2

Jury comment

This project offers a powerful and carefully edited record of the war in Gaza and the daily struggles of its people. Images of civilians killed while seeking food aid, the malnourishment of a child and his mother, the destruction of homes, and a family breaking their Ramadan fast amid devastation all reveal fragments of life under constant threat. Captured by a local photographer working under immense personal and professional pressure, the series carries a rare urgency and intimacy. The jury recognizes that the photographer experienced the same danger, displacement, hunger, and loss reflected in his images. The work therefore bears witness to a reality the world might otherwise not see, affirming the essential role of local journalists in times of war.