Palestinians climb onto an aid truck as it enters the Gaza Strip via the Zikim Crossing in an attempt to get flour, during what the Israeli military called a “tactical suspension” in operations to allow humanitarian aid through.
2026 Photo Contest - West, Central, and South Asia - Singles

Aid Emergency in Gaza

Photographer

Saber Nuraldin

EPA Images
27 July, 2025

Palestinians climb onto an aid truck as it enters the Gaza Strip via the Zikim Crossing in an attempt to get flour, during what the Israeli military called a “tactical suspension” in operations to allow humanitarian aid through.

In 2025, famine took hold amid what an independent United Nations Human Rights Commission inquiry has concluded is a genocide in Gaza, which Israel disputes. Israeli authorities imposed a complete aid blockade in March, a tactic described by humanitarian organizations as the weaponization of starvation. The UN reports that between late May and early October, at least 2,435 Palestinians seeking food were killed at or near aid distribution sites. Despite a ceasefire agreement in October, more than 75% of the population still face hunger and malnutrition. The photographer was born in Gaza and has documented life there since 1997.

Saber Nuraldin
About the photographer

Saber Nuraldin (b. 1980) is a photographer from Gaza, Palestine. He began his career at the age of 17 working with Agence France-Presse (AFP). In 2003, he joined the European Pressphoto Agency (EPA) as a staff photographer, covering news in the Gaza Strip and the Palestinian Territories. His work has documented majo...

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Jury comment

This image of people climbing onto an aid truck captures sheer desperation—rendering visible the scale and urgency of famine in the second year of this war in Gaza. Starvation and famine, affecting more than half a million Palestinians, was the result of an Israeli blockade of the Gaza strip and was a defining humanitarian issue of 2025. The straight forward composition forces the viewer to pause, and offers visual evidence of famine, and the destruction surrounding the scene. The jury felt that the photograph confronts the viewer with the reality of the situation while also pointing to its collective impacts and global implications.