2026 Contest winners announced

Presenting the 2026 World Press Photo Contest winners 

World Press Photo is proud to announce the winners of the 2026 World Press Photo Contest, presenting outstanding work from photojournalists and documentary photographers worldwide, connecting global audiences to the most pressing stories of our time.

Selected from 57,376 photographs submitted by 3,747 photographers across 141 countries, this year’s winners reflect a wide range of perspectives and experiences. Among the awarded works are stories that have shaped headlines, alongside those that have gone largely unseen; spanning conflict and crisis, as well as resilience, resistance, and cultural traditions.

“This is a critical moment — for democracy, for truth, for the question of what we as a society are willing to see and call out and what we are willing to ignore. The photographers recognized here have done their part. They have made the record. Now it is our turn to look.” – Kira Pollack, 2026 Contest global jury chair


The 2026 World Press Photo of the Year winner and two finalists will be announced on 23 April 2026 at 11.00am CEST (Amsterdam time). Every photographer awarded in the 2026 Contest is eligible to win this award. Sign up for our newsletter to receive the latest news.

Please note:  There is no hierarchy of winners in each category. All winners are weighted equally. 

2026 Contest winners

Africa

“The main themes from the Africa region reflect a wide spectrum of realities. From the ongoing war in Sudan, to a powerful cultural event in Morocco; from elephant culling in Zimbabwe to the issue of women who have been abused in Kenya, as well as beautiful scenes from daily life in South Africa. All of these together provide an honest portrait of the continent.” – Tsvangirayi Mukwazhi, Africa jury chair

Singles
When Giants Fall by Halden Krog, for Daily Mail
Children Who Do Not Exist by Kiana Hayeri, for The New York Times
Joburg Ballet School by Ihsaan Haffejee, for GroundUp

Stories

Sudan’s War: A Nation Trapped by Abdulmonam Eassa, for Le Monde
Farīsāt: Gunpowder’s Daughters by Chantal Pinzi, Panos Pictures
Madagascar’s Gen Z Protests by Luis Tato, Agence France-Presse

Long-Term Projects

Moon Dust by Mohamed Mahdy, Arab Documentary Photography Program

Asia-Pacific and Oceania

“For the Asia-Pacific and Oceania region, we had strong news and untold stories – we selected a balanced set of images. We were looking for photographs that showed what happened in 2025, but were also looking for something extraordinary or unexpected.” – Yasuyoshi Chiba, Asia-Pacific and Oceania jury chair

Singles
Bondi Beach Terror Attack by Edwina Pickles, The Sydney Morning Herald
Mountain Resident of Wanglang by Rob G. Green, National Geographic Society, Henry Luce Foundation
A Desperate Plea by Tyrone Siu, Reuters

Stories

Wedding in the Flood by Aaron Favila, Associated Press
Scam Hub Under Siege by Jes Aznar, for The New York Times
The Last Dolphin Hunters by Matthew Abbott, Oculi, for The New York Times 

Long-Term Projects

Motherhood at 60 by Wu Fang

Europe

“We were looking for stories that were a mirror to Europe. Stories that have the sensitivity to talk about very difficult topics, but also to question us about them. There are very important stories, even in intimate, domestic spaces, that can shed light on how to understand ourselves better.” – Silvia Omedes, Europe jury chair
Russian Attack on Kyiv by Evgeniy Maloletka, Associated Press
Emma the Social Robot by Paula Hornickel

Stories

Burned Land by Brais Lorenzo, EFE, Revista 5W, El País 
Drone Wars by David Guttenfelder, The New York Times
Engla Louise by Sanna Sjöswärd, for Corren
Long-Term Project
Extramuros by William Keo, La Bibliothèque Nationale de France, Die Zeit

North And Central America

“We combed through thousands of images and focused on what best represented the stories that mattered. Without photojournalism we lose these historical records. We lose the power to hold people accountable, to see what is happening around us and how the world is existing. Without photojournalism we are isolated from the truth and from facts.” – Marie Monteleone, North and Central America jury chair

Singles
Columbia University Pro-Palestine Protests by Alex Kent, for The New York Times
Portland Protests ICE by Jan Sonnenmair
The Trials of the Achi Women by Victor J. Blue, for The New York Times Magazine

Stories

ICE Arrests at New York Court by Carol Guzy, Zuma Press, iWitness, for Miami Herald
Los Angeles on Fire by Ethan Swope, for Associated Press
Tanner’s Song by Jahi Chikwendiu, The Washington Post

Long-Term Project

Mexico, A Changing Climate by César Rodríguez, Norwegian Red Cross, SNCA, The New York Times

South America

“Photography can serve the purpose of opening doors to new realities. It is a powerful tool that everyone has access to. The topics that remain important to this region are related to the political situation, but it’s not only about violence; there is also resistance and resilience.” – Gael Almeida, South America jury chair

Singles
A Territory of Hope by Priscila Ribeiro
Funeral for "The Four of Malvinas" by Santiago Arcos, for Reuters
Milei’s Argentina by Tadeo Bourbon, for Revista Mu

Stories

Those Who Carry the Dead by Eduardo Anizelli, Folha de S.Paulo
Manacillos: A Return to Life by Ever Andrés Mercado Puentes
Name the Absence by Ferley A. Ospina

Long-Term Project

The Human Cost of Agrotoxins by Pablo E. Piovano, Manuel Rivera-Ortiz Foundation, Philip Jones Griffiths Foundation, Lawen.doc

West, Central, and South Asia

“We were looking for distinctive voices and diversity of voices. Images that either made you stop and reflect or images that stood as testament to what's happening to the rest of the world; because that's the power of journalism.” – Gabrielle Fonseca Johnson, West, Central, and South Asia jury chair

Singles
Nepal’s Gen Z Uprising by Narendra Shrestha, EPA Images
Aid Emergency in Gaza by Saber Nuraldin, EPA Images
A Daughter’s Grief in Kashmir by Yasir Iqbal, Outlook India Magazine

Stories

A Syrian City Rebuilds, Still Divided by Nicole Tung, VII Photo, for The New York Times
Witnessing Gaza by Saher Alghorra, for The New York Times

Long-Term Project

Hijacked Education by Diego Ibarra Sánchez

World Press Photo of the Year announced on 23 April

On 23 April 2026 at 11.00am CEST (Amsterdam time), the World Press Photo of the Year winner and two finalists, will be announced at the press opening of the Flagship World Press Photo Exhibition 2026 at De Nieuwe Kerk in Amsterdam, the Netherlands, and online simultaneously. Every winning photographer from the 2026 Contest is eligible for the Photo of the Year award.

The awarded stories will be shown to millions worldwide as part of World Press Photo’s annual
traveling exhibition in over 60 locations around the world – including, Berlin, Jakarta, Mexico City, Montréal, Rio de Janeiro, Rome, Sydney, and Taipei.

Sign up for our newsletter to be notified about the announcement and to receive exhibition updates.

Reflections from World Press Photo executive director, Joumana El Zein Khoury

In an increasingly volatile world, the role of a free and independent press has never been more vital, or more under threat. As conflict, misinformation, and political pressure reshape the media landscape, fundamental questions emerge about truth, trust, and the future of journalism. In this reflection, our executive director, Joumana El Zein Khoury explores the evolving role of the press, the enduring relevance of photojournalism, and how World Press Photo continues to uphold its commitment to accuracy, integrity, and transparency in uncertain times, while also reflecting on this year’s awarded stories and the responsibility they carry as a record of our time.

“The selection is made by an independent jury through a process of rigorous and conscientious review. Their debates are thoughtful, nuanced, and at times difficult. Reasonable people can disagree. And yet, what stands out most is the level of intent behind each decision. Jury members are determined to uphold technical excellence without compromise. They are committed to representing people and communities with dignity and humanity, and to intentionally embracing a diversity of visual styles and voices across regions. They also work at balancing heavy stories with hopeful and resilient ones. And above all, they strive to recognize the local, regional, and international importance of each story.”